The Research
Bishkek
(Kyrgyzstan)
Boutique festivals and sustainable distribution of resources, alongside excellence in artistic quality and audience experience
Exploring music’s intersection with destination tourism
Gallup
(New Mexico, USA)
Promoting genre diversity
Best practices in audience development
Gander (Newfoundland & Labrador, Canada)
A preliminary mapping exercise of music ecosystem actors, artists, venues, under‑represented genres and training gaps, and SWOT analysis
Best practice in artist development (funding schemes, training, project grants, artist‑residencies, etc.) toward a thriving and visible music scene
Lerwick
(Shetland, UK)
Best practice in ‘Music Import’: bringing visiting artists in
Best practice in ‘Music Export’
Mariehamn
(Åland Islands, Finland)
The professionalization of music in Mariehamn: Identifying gaps, overarching themes and key priorities
A preliminary mapping exercise of actors in the sector, envisaging directions and actions to address the gaps
Nuuk
(Greenland)
Spaces for experimentation, dry venues and empowering the youth
Music export and strategic planning: Focus on Iceland
St. Johnsbury
(Vermont, USA)
Articulating the social and economic value of music
Embedding the language of music ecosystem resilience into town and organizational planning
Torshavn
(Faroe Islands)
Definition of key areas of focus for Tórshavn’s music ecosystem, and development of key cross‑sector priorities
Three best practice case studies on defined key areas of focus: Re‑evaluating of the funding system, audience development and fostering experimentation
Umeå
(Sweden)
Programming and greater genre diversity
Making the case for a medium‑sized (200‑250 person capacity) venue to support experimental, currently overlooked genres
Whitehorse
(Yukon Territory, Canada)
Alternative financing models for venues
Excellence in music funding achieving fair access, community relevance and artistic quality
Whitesburg
(Kentucky, USA)
Communicating the social and economic value of music, with a focus on community health
Music organizations and accessibility (including physical disabilities and mental health conditions)